Model Zoo
Forensic Architecture
Date of Incident
Various
Location
Various
Publication Date
20 Feb 2020
In Partnership With
Bellingcat, Amnesty International, Open source contributors
Additional Funding
None
Collaborators
None
Forums
Exhibition, Media

This project originally premiered at the exhibition, Uncanny Valley: Being human in the age of AI at the de Young Museum in San Francisco.

The growing field of ‘computer vision’ relies increasingly on machine learning classifiers, algorithmic processes which can be trained to identify a particular type of an object (such as cats, or bridges). Training a classifier to recognise such objects usually requires thousands of images of that object in different conditions and contexts.

For certain objects, however, there are too few images available. Even where images do exist, the process of collecting and annotating them can be extremely labor-intensive.

Since 2018, Forensic Architecture has been working with ‘synthetic images’—photorealistic digital renderings of 3D models—to train classifiers to identify such munitions. Automated processes which deploy those classifiers have the potential to save months of manual, human-directed research.

Forensic Architecture’s ‘Model Zoo’ includes a growing collection of 3D models of munitions and weapons, as well as the different classifiers trained to identify them making a catalogue of some of the most horrific weapons used in conflict today.

Synthetic Images: Incremental Variation - The 1.4 to 1.5 in. (37 to 40 mm) projectiles are some of the most common tear gas munitions deployed against protesters worldwide. Forensic Architecture is developing techniques to automate the search and identification of such projectiles among a huge number of videos online. The team modelled thousands of commonly found variations of this object, rendered them as images, and used these images as a way to train the machine learning classifier. (Forensic Architecture, 2020)
The 1.4 to 1.5 in. (37 to 40 mm) projectiles are some of the most common tear gas munitions deployed against protesters worldwide. Forensic Architecture is developing techniques to automate the search and identification of such projectiles among a huge number of videos online. The team modelled thousands of commonly found variations of this object, rendered them as images, and used these images as a way to train the machine learning classifier. (Forensic Architecture, 2020)

37-40mm tear gas canisters are some of the most common munitions deployed against protesters worldwide, including places such as Hong Kong, Chile, the US, Venezuela and Sudan. Forensic Architecture is developing techniques to automate the search and identification of such projectiles amongst the mass of videos uploaded online. We modelled thousands of commonly found variations of this object — including different degrees of deformation, scratches, charrings and labels — rendered them as images, and used these images as training data for machine learning classifiers.

Synthetic Images: Extreme Objects - The team textured their modelled projectiles with random patterns and images. Such “extreme variations” help the classifier better recognise their shape, contours, and edges. (Forensic Architecture, 2020)
The team textured their modelled projectiles with random patterns and images. Such “extreme variations” help the classifier better recognise their shape, contours, and edges. (Forensic Architecture, 2020)

Machine learning classifiers that use rendered images of 3D models, or ‘synthetic data’, can be made to perform better when ‘extreme’ variations of the modelled object are included in training examples. In addition to realistic synthetic variations, we textured a model of the projectile with random patterns and images. Extreme objects refine the thresholds of machine perception and recognisability, helping the classifier better recognise their shape, contours, and edges.

Click here to read more about the project on our open source pages
Forensic Architecture Team
Principal Investigator
Project Coordinator
Tech lead
Team
Research Support
Project Support
Extended Team
Open Source Contributors
Special Thanks to
VFRAME
Exhibitions
12 Aug – 22 Oct 2023
Atmósferas de Terror
Centro Nacional de Arte Contemporáneo
19 May – 22 Oct 2022
Forensic Architecture: Witnesses
Louisiana Museum of Modern Art, Humlebaek, Denmark
30 Jul 2021 – 22 Jan 2022
Conflict In My Outlook: Don't Be Evil
The University of Queensland Art Museum, Queensland, Australia
02 Jul – 17 Oct 2021
Cloud Studies at the Whitworth
The Whitworth, Manchester, United Kingdom
28 May – 08 Aug 2021
Investigative Commons
Haus der Kulturen der Welt, Berlin, Germany
22 Feb 2020 – 26 Jun 2021
Uncanny Valley: Being human in the age of AI
de Young Museum, San Francisco
Events
30 Jul 2021 – 22 Jan 2022
Conflict In My Outlook: Don't Be Evil
The University of Queensland Art Museum, Queensland, Australia
22 Feb 2020 – 26 Jun 2021
Uncanny Valley: Being human in the age of AI
de Young Museum, San Francisco
Press
25 Feb 2020
SF Weekly
‘Uncanny Valley’ Explores AI’s Potential
30 Sep 2019
Blooloop
San Francisco’s de Young Museum Gets Major AI Exhibition ‘Uncanny Valley’
26 Sep 2019
Artfix Daily
Groundbreaking Exhibition 'Uncanny Valley: Being Human in the Age of AI' Opens in San Francisco This Winter
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Cloud Studies
Worldwide · 2008 - Ongoing