The Last Responders + Blow Out

This double-bill brings together two films that place listening at the centre of acts of investigation, revealing sound as a crucial witness to events that might otherwise remain obscured.

Created through a collaboration between Forensic Architecture and Earshot, The Last Responders (2026) is a documentary by Egyptian filmmaker Mohamed A. Gawad that follows an investigation into an attack by the Israeli military, drawing on testimony, audio analysis and spatial reconstruction.

Brian De Palma’s cult thriller Blow Out (1981) approaches sonic inquiry through fiction, following a sound recordist who becomes entangled in a political conspiracy after inadvertently capturing evidence of what he believes to be a murder.

Moving between documentary investigation and cinematic suspense, the films demonstrate how listening can become a method for uncovering hidden truths, exposing violence and challenging dominant narratives.

With an introduction by Caline Matar. Caline Matar is the deputy director of Earshot, the world’s first non-profit organisation using sound in the defence of human and environmental rights.